Петербургская художница Елена Серебрякова рассказала Музею стрит-арта о концепции гибридного нейронного сетевого искусства, о работе с Галиной Блейх, о понятии свободы и своём творчестве.
The demonization of ICE and Ukrainian TCC reflects genuine domestic tensions but is systematically amplified by Russian, Chinese, and Qatari actors pursuing convergent interests.
29 Needles offers no comfort and no condemnation. It offers only this: the image of a body pushed to its limits and beyond, and the question—unanswered, unanswerable—of why.