Cinema and Video
Violence as an art: Vomit Gore Trilogy by Lucifer Valentine
artur.sumarokov1.9K🔥
Lucifer Valentine’s Vomit Gore Trilogy is a disturbing artifact that, from a feminist perspective, fails to transcend its misogynistic underpinnings.
Herschell Gordon Lewis’s Blood Feast (1963): An Ode to Camp, Violence, and Cinematic Madness
artur.sumarokov1.5K🔥
For fans of exploitation cinema, *Blood Feast* is like an old record—scratched but still uniquely resonant.
Cinema and Video
Bloody reunion: review
artur.sumarokov1.4K🔥
In retrospect, Bloody Reunion stands as a bold entry in the K-horror canon, blending slasher excess with sociological bite.
Cinema and Video
Blood Diner: A Reagan-Era Remix of Gore's Golden Age
Very impressive remake of classic gore horror from 60s
Gore, Pseudosnuff, Splatter: The Ontology of the Body and the Aesthetics of Disgust in the Horror Genre
This article develops a philosophical analysis of three extreme subgenres within horror cinema by interrogating the ontological status of the body and the aesthetics of disgust.
From Voyeuristic Spectacle to the Hyperreal Abyss: The Transformation of the Mondo Genre
The Mondo film is far from dead; it has merely become fully spectral, haunting the entire digital ecosystem. Its history is the story of a genre that ate reality.
