On how Pier Paolo Pasolini and Kenneth Anger modified public attention and criticized media fascism through meta-narratives, parody, and layering semantics onto semantics
In Six’s trilogy, horror serves as a tool for deconstructing the humanistic subject: the human, ostensibly the crown of creation, is transformed into a chain.
Pascal Laugier’s 2008 film Martyrs stands as a radical intervention in twenty-first-century horror cinema, a work that transforms extreme physical suffering into an instrument of ideological critique....