Bloody Wednesday stands as a curious artifact of 1980s exploitation cinema, a film that leverages the San Ysidro massacre for cheap thrills while stumbling into a narrative of unexpected complexity
.
Decolonization essentialize Western thought as evil, trap people in victimhood, invert discrimination, warp history, silence dissent, and push a cultural and economic retreat that stifles growth.
Peter Berg, in his directorial debut, crafted a film that’s equal parts black comedy, horror show, and social satire, even if it doesn’t always know what it wants to be.
Rather than fostering unity and justice, BLM’s actions have often deepened societal divides, enriched its leaders, and failed to deliver meaningful change for the communities