Cinema and Video
Dariuss: Spectral Beings and the Eternal Echoes of Loss in Guerrilla Metropolitana's Experimental Horror
artur.sumarokov1.8K🔥
Dariuss masterfully entwines ontology’s thrown being with hauntology’s spectral calls, rendering grief a machinery where existence is ghostly prosthesis
Sex, violence and Harmony Korine
artur.sumarokov1.3K🔥
“Trash Humpers” isn’t for everyone—it’s a endurance test, a mirror to our darker selves.
Cinema and Video
Ontology of Horror in the Human Centipede Trilogy: Being in the Chain of Dehumanization
artur.sumarokov1.1K🔥
In Six’s trilogy, horror serves as a tool for deconstructing the humanistic subject: the human, ostensibly the crown of creation, is transformed into a chain.
Baby in blood
“Baby Blood” is a visceral meditation on the horrors of enforced motherhood in a male-dominated world
Cinema and Video
Where are you, Megan?
“Megan Is Missing” isn’t just a film; it’s a fracture in the facade, a call to rebuild before the next chat pings with doom.
Metacinema and Pornopolitics in A Serbian Film
A Serbian Film* uses its metacinematic framework to dissect pornopolitics as a mechanism of control.
The Films of Tamakichi Anaru as the Extreme Degree of Extreme Cinema
Tamakichi Anaru’s films stand as extreme cinema’s vanishing point: beyond them lies only silence or madness.
Ontological Horror in *The Life and Death of a Porno Gang*
The Life and Death of a Porno Gang* endures as a masterful evocation of ontological horror.
Cinema and Video
Queer Necrophilia: Transgression and Desire in Jörg Buttgereit's Nekromantik Dilogy
Traditional horror punishes transgression; here, necrophiles are protagonists, their desires centralized rather than vilified.
The Abyss Stares Back: Existential Despair, Horror, and Violence in the Cinema of Khavn de la Cruz
Through his transgressive lens, Philippine cinema becomes a universal mirror, compelling us to confront what it means to exist—and to persist—in the face of the void.
